Media & Entertainment
Review the timeline, not a copy of it
Stream your Premiere or Avid timeline straight into a persistent 4K room. Directors and producers see exactly what the editor sees, frame for frame, and give notes before the session ends.
Side Panel
- Adobe Premiere Pro
- Avid Media Composer
- OBS
- vMix
- Apple TV
The problem
A note on a compressed stream is a guess
Production is already global. The DP is in Budapest, the editor is in Los Angeles, the executive is somewhere over the Atlantic. That part is solved. What is not solved is what happens to the work when it travels: a conference call re-encodes the image, crushes the shadows, drops frames, and hands your director a version of the shot that exists nowhere else in the pipeline.
So teams build around it. Export a proxy, upload it, wait, send a link, collect notes in a thread, reconcile them against timecode the next morning. Every round trip costs a day, and the note that mattered was given against the wrong image anyway.
Rooms
One room that holds the production from first read to picture lock
Productions run for months. A Room gives every phase a permanent address where dailies, cuts, notes, and approvals stay attached to the project instead of scattering across links and threads.
- Stream the NLE, not a screen share
- Native plugins for Premiere Pro and Avid Media Composer push your timeline, program monitor, or any undocked panel into a live Room. No export, no upload, no waiting for a file.
- Frame-accurate playback
- 4K at 60fps with sub-second latency. The director sees the same pixels you do, at the same moment, with no re-encode in between.
- Notes that stay on the frame
- Annotations live on the timecode they refer to, so a note from three weeks ago still points at the shot it was about.
- Nothing expires when the call does
- Media, versions, and conversation stay in the Room between sessions. The next review opens where the last one closed.
4K / 60fps
Native playback, no re-encode
16 Camera feeds
or panels at once
Premiere + Avid
Native transmitter plugins
Approvals
When the notes come from outside the suite
Studio execs, network, and clients join the same Room as the editor. Same 4K, same timecode, nothing downloaded and nothing left behind when they leave.
- Studio and network notes, live
- Executives join the cut while it is still open rather than waiting on a link, so the notes happen in the session instead of arriving the next morning.
- Client review without a screener
- Bring the client into the Room instead of sending a file. Access ends when the session does, and no copy of the cut sits in anyone’s downloads folder afterwards.
- Sixteen versions, side by side
- Comps, alternate cuts, and grade passes on screen together, each at native resolution. The decision happens in the session instead of in the next one.
16 Native streams
on screen at once
Sub-second
Latency, end to end
One record
instead of a trail of screeners
Where it fits
The moments where a frame has to be exactly right
Remote video village
Monitor up to 16 camera feeds live from set. Call the shot from anywhere without flying the client to location.
Edit over the shoulder
The director joins while the cut is still open, and the notes are given in the session, not in an email sent the next morning.
Executive dailies
The day's footage reviewed at full quality, on the record, with every approval captured where the work already lives.
VFX and version review
Put comps, revisions, and alternate cuts side by side. Compare up to 16 at once and decide in the session.
Trust
Unreleased work stays unreleased
Every media byte encrypted, every request authenticated, every layer monitored. Deployment that matches your security review.
On-premise
Run inside the facility's own network when a title's security terms do not allow anything to leave it.
Hybrid
Controlled infrastructure with cloud reach for productions spread across multiple sites and vendors.
Cloud
Fully managed browser access when the production needs to be up today, not after a deployment.
